Magic stunts in Freeport can be a little restrictive to start with, there are prerequisites needed to qualify for many spells. Starting mages may seem comparatively weak with little of the colour or versatility you might expect from such a character. What I tried to do was create a selection of stunts that would represent ‘archetypal’ mages – with each stunt branching into a series of related stunts representing signature spells we might associate with that archetype. This might seem overly generous, you’re getting a bag of stunts for the price of one – however, there is always a cost associated with each signature spell and there are strict rules restricting how often it’s used.
Sometimes, in order to cast a spell on the current exchange a mage will simply take one shift of mental stress, meaning they’ll be ticking off one box. This could have led to the profession Mystic becoming overpowered (a high rating will grant you additional stress boxes), so to balance this out I specified that a high rating in the profession Scholar will grant access to an additional stunt, providing a choice between the trigger-happy sorcerer and the studious wizard whose learning has opened up new spells for him to master. Additionally the Dabbler in Magic stunt allows players to appoint Aristocrat as their default spell-casting profession, capturing the flavour of bards and eldritch knights.
Also each stunt allows the PC to invoke one particular school of magic with each school functioning just like a character aspect. So I narrowed down the roster of schools to the classic eight, being careful to make clear distinctions between the parameters of each school, something that the designers of D&D never had to worry about, e.g. curative and restorative spells in the Player’s Handbook can be found categorised as belonging to the evocation school and the transmutation school among others. For aspects to really work in Fate they need to be clearly defined so that everyone at the table is clear as to what they can and can’t do. So abjuration is clearly defined as being protective and defensive and transmutation covers all mutative effects on the body, including rapid healing and regeneration. Keep these distinctions in mind as Dungeon Master. The schools of magic are potentially powerful aspects through the use of fate points. Consider what a player can do by declaring a story detail attached to the school of conjuration for example. Treated with care this can bring a lot of colour to games. Unusual magics are common enough in the realms so this should be a boon rather than a problem.
The stunts provided here are just examples of what you can do and I’ll be adding more in the future. Always consider the impact that a signature spell can have on the game and apply sensible restrictions. Magic can be fun but it shouldn’t leave non-mages feeling left out. There are many more classic spells available on the D&D Wiki SRD or the free .pdf of the game’s basic rules and you can use the examples here as a reference for any conversion attempts, not to mention what’s already in the Freeport Companion.
Perhaps the most important thing to consider with magic is that the schools are in effect aspects and sometimes the best way to describe a spell is by invoking that aspect. Is there any need for a Web spell if I can just invoke the school of conjuration to create passive opposition at +2 to hinder pursuers coming down that hallway? Equally with a spell like Spider Climb doesn’t it make more sense to spend a fate point and declare a story detail where I get to scuttle up that wall and over the ramparts because I have the School of Transmutation aspect? Encourage players to develop their own stunts and signature spells if that’s what they want but bear in mind the threat of over-kill! Try to have a good idea regarding what options you want to be available to PCs and how often.